I have to say that I am quite impressed at how Reed ties up
all holes in and confusion regarding the plot of Mumbo Jumbo is the final few
chapters. It is interesting how the plot settles with a clear signing off-like
end to the novel, but I still feel very much suspended in Reed’s metanarratives
and claims, especially his Afro-centric metanarrative of the course of history,
which follows historical facts (as we know them) fairly well and therefore makes me question
the validity/truth history I’ve learned. As I was flipping through the pages of
the book, (still) stuck in the novel’s provoking points, the “news” clippings and S.R.’s (situation reports) caught my
eye.
Naturally, I read them over and after doing so, I feel that
they have a significance in Reed’s view of history. I think that news channels
often present themselves as providing “just the facts,” though, as we discussed
in class a few weeks ago, any retelling of an event that has passed is usually
a metanarrative that contains connections of the facts from which a certain claim/lesson can be
formed regarding the event. The same facts, however, can be connected in a different way to
result in a different meaning that can be gathered from the same event. Thus, although news reporters claim to provide us with the facts, they naturally give us a narrative that includes and possibly shapes the facts. Generally,
I think that published news is commonly accepted as historically accurate,
though the single perspective may not be true. Reed plays with the idea of many
histories rather than a single correct version with Papa LaBas’ proposal of the
Afro-centric course of history.
I think that the S.R. and “news” clippings serve as the
immediate general public knowledge in Mumbo Jumbo, since the public usually gets its
information from the media. Most of these sections of news have an obvious
Atonist view, where the “war hero” Musclewhite “slays” the “bad” Berbelang,
though we (the readers) know that Musclewhite is actually the “bad” one (123).
The newspaper also exhibits Atonist intolerance to other cultures, calling the
Olmec head “ugly,” “sausage-lipped,” and “big-headed” (123). In this section of
a newspaper, Reed obviously portrays an Atonist bias, probing us to question
our acceptance of the immediate news we receive from the media.
Reed also provides an example of news that is anti-Atonist—the
revealing of American troops in Haiti. The immediate “overload” of “questions
from the populace concerning Haiti” is significant because such influx of
questions does not follow other Atonist news updates (like the one where
Musclewhite “slays” Berlbelang) (58, 123). With this anomaly in news articles,
I think Reed conveys the general acceptance of history through a single
metanarrative rather than through multiple metanarratives, so when a different one appears, much skepticism surrounds it.
Also, slightly off topic, but the idea of looking at history
presented in the news through multiple metanarratives rather than just one
metanarrative reminds me of polytheism (Osirian) and monotheism (Atonist).
I also found the news clippings to be an interesting part of the novel. I agree with you that these news clippings have an obvious Antonist view point. I just read a blog post about how Reed may have a bias towards those that are in favor of the western ideals that Antonist support. I think that your blog post complements that one quite well.
ReplyDeleteAs a side note: I would love to hear more of your view on the idea that you posed at the bottom of the post. I think that would be really interesting to read about.
Very nice analysis of the "SR's" and their rhetoric. Journalism has been described as the "first draft" of history, and it often aspires to the same "objective" (or "realist") narrative style as traditional history. And Reed is attuned throughout the novel to the ways that that pose of objective authority actually works to reinforce certain cultural values and marginalize others. The "report" on Musclewhite's heroic "slaying" of Mu'tafikah, coming right after we've read the novel's version of the story, is a prime example.
ReplyDeleteWith regard to your last point, I think there's definitely a connection to be made here. Atonism seems to me inherently incompatible with postmodernism, and the multicultural/multinarrative orientation of postmodernism has worked to destabilize Atonism in academia, and in the larger popular culture, too.
This is such a thoughtful analysis! I didn't think about the arc of media attention in the book and "the general acceptance of history" through one channel, but you bring up a good point about the contrast between mono/polytheism (the difference between one metanarrative vs. several and the relative ease of pointing out flaws/subjectivities in one narrative when several are available). Nice work!
ReplyDeleteThis has a really interesting analysis of the relationship between news and truths. I'm a little confused what "unpublished" news would be and how that would relate to how it's trusted (news before it's distributed maybe?). I agree with your assessments of how atonism is portrayed throughout the book. It seems however, that the reader would be inclined to come away with a rather negative view of it.
ReplyDeleteThis has a really interesting analysis of the relationship between news and truths. I'm a little confused what "unpublished" news would be and how that would relate to how it's trusted (news before it's distributed maybe?). I agree with your assessments of how atonism is portrayed throughout the book. It seems however, that the reader would be inclined to come away with a rather negative view of it.
ReplyDeleteI did a double take when I read the news report about Musclewhite killing Berbelang. There's definitely a contrast between the narrative's side and the Atonist news it portrays. After all, we get to see the conversation between Thor Wintergreen and Biff Musclewhite (wherein Thor, in his hesitant way, tells Musclewhite he doesn't think Musclewhite is worth the Olmec head) first. The news' insulting description of the Olmec head so soon afterwards just kind of hurts. It made me feel bad for the narrative, at least. (Perhaps I have an uncanny ability to sympathize with abstract concepts.) Reed's choice to place those events near each other rather than play a longer, subtler game (like with the chapter 52s' unveiling of basically the entire plot) really puts the contrast between viewpoints on display.
ReplyDelete